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Alto Horns, Baritones, and Euphoniums

In 1893, Henderson N. White began hand-crafting brass instruments in Cleveland, Ohio, guided by a simple goal: to build instruments that played with more power, more clarity, and more personality than anything else on the market. The first King instruments quickly gained acclaim for their brilliant tone, responsive feel, and robust construction, becoming essential tools for jazz artists, touring musicians, and the growing world of American marching band performance. Over the decades, King earned its reputation as a leader in projection, precision, and durability.

That spirit lives on in King low brass today, which deliver the presence, punch, and reliability that modern performance demands. With a focused, projecting tone and effortless playability, King instruments excel in marching environments while remaining versatile enough for concert and contemporary settings. Built for students, advancing players, and professionals alike, King low brass instruments are engineered to cut through with clarity and confidence, reflecting more than a century of craftsmanship designed for musicians who perform with boldness and style.

Conn has been a cornerstone of brass manufacturing since 1875, when Charles Gerard Conn opened his small Elkhart workshop and began shaping the sound of bands and orchestras across the country. As one of America's earliest and most influential brass manufacturers, Conn quickly earned a reputation for innovative craftsmanship and a resonant, expressive tonal profile that musicians and educators came to trust. By the early 20th century, Conn instruments had become essential in school ensembles, professional ensembles, and military bands, solidifying the brand's identity as "America's brass house."

Today, Conn continues that legacy with instruments built for projection, stability, and an unmistakably American warmth. Known for dependable response, strong intonation, and broad dynamic range, Conn brass provides the flexibility needed for every level and genre. From the concert hall to the marching field, Conn instruments reflect more than 150 years of tradition, offering durability, comfort, and the powerful presence that remains the hallmark of the Conn sound.

Frank Holton, a former trombonist with John Philip Sousa's band, opened his own shop in Chicago in 1898. Known for comfort, consistency, and tonal richness, Holton became a trusted name among students and advancing players seeking an instrument that supported musical growth without sacrificing depth of sound. This philosophy continues in Holton instruments today, which offer smooth response, ergonomic designs, and a centered tone that blends beautifully in a variety of ensembles.

Thoughtful designs make extended playing comfortable, helping musicians maintain control and refine their technique. Their reliability and tonal maturity make them a favorite in school programs worldwide. Rooted in American brass engineering, Holton's legacy lives on in instruments that invite players to shape their voice with confidence and refinement.